There’s no doubt that the late David Bowie was an innovative, influential, genre-bending artist. And who didn’t love him, at least in some capacity? From the casual listeners to the fanatics, Bowie had an impact on all of us thanks to his presence in the pop culture zeitgeist—and a unique presence at that. I grew up getting into movies and television at an early age—probably too early—thanks to my parents’ interests. But I can’t say the same for music. Music for me was something that I later had to discover for myself, and a lot of that started in middle and high school as I became more and more in tune with my personality and growing tastes. Movies and TV were a gateway for me in learning more about music, and I was certainly someone who loved buying movie soundtracks (I still have the Batman Forever soundtrack, on cassette tape, because…you know…”Kiss from a Rose”). I’m pretty sure I knew who David Bowie was, and was aware of this guy called Ziggy Stardust, as a young child, but it wasn’t until he started popping up on soundtracks of movies that I got into in middle school that I actually started listening to him. Below I’ve rounded up just a few of the movie scenes that either play his music or reference him in some way, plus television shows that either feature Bowie or are dedications to him. I’m sure there are plenty more that I’m forgetting here, or just am not aware of, but that just goes to show how influential he was, and will remain to be.
2001’s A Knight’s Tale has to the real first time I remember hearing a David Bowie song and thinking, “What song is this? I love it!” The characters of this medieval set piece dance to “Golden Years,” and it’s a funky and hypnotic affair. Plus, I always think of Heath Ledger dancing when I hear it now. And I don’t think that’s such a bad thing.
About a month after A Knight’s Tale was released, here comes Moulin Rouge (a movie I was certifiably obsessed with), which features three Bowie songs. You have his cover of “Nature Boy,” then Beck covers his “Diamond Dogs,” and then of course the Elephant Love Medley, which samples and adapts the lyrics of “Heroes.”
Adam Sandler must be a big Bowie fan, because at least two of his movies reference the songs “China Girl” and “Space Oddity.”
The Wedding Singer
And maybe Drew Barrymore has a thing for him too, because in the sequel Charlie’s Angels: Full Throttle we get a short scene of her character having an alter ego, Lady Insane, complete with Bowie’s Aladdin Sane makeup, at the :50 second mark. Get it??
This is so random, but I saw the movie Bandslam on a bus in South America. It was a very long ride, so I had no real choice but to watch it. I somehow remember the plot, that the teenage protagonist’s music idol was David Bowie. Here’s an awkward scene where he tries to make some moves on Vanessa Hudgens, while voice-overing a letter to Bowie.
Who can forget this scene in Inglourious Basterds, leading to the climactic burning down of the theater? You’ve got your lady in red, and set along to “Cat People (Putting Out Fire)” this montage is moody and quintessentially Tarantino and Bowie.
I can’t find the right clip, but “Moonage Daydream” pops up in Guardians of the Galaxy, as our heroes travel through space. Perfectly fitting for our Ziggy.
Another one where the clip just isn’t out there, but I wrote in my post about my favorite pop culture moments of 2015 that I loved the montage in The Martian when “Starman” graces our ears. This fan-made video gives you the idea of how those iconic guitar riffs set to outer space, and the moving, human story of The Martian, gel together so well.
My favorite Kiwi folk duo are also Bowie super fans. The sixth episode of Flight of the Conchords, aptly named “Bowie,” features not only their own song in the style of Bowie, but also features Jemaine Clement doing several specific Bowie impersonations.
“Bowies in Space”
For some reason a couple of years ago, Will Ferrell and John C. Reilly decided to remake, nearly word for word, the “Peace On Earth/Little Drummer Boy” video that featured David Bowie and Bing Crosby. It ends with a classic proclamation from Bowie (aka Ferrell), yelling, “I’m David fuckin’ Bowie!” Indeed.
And then there’s Bowie’s cameo on Extras. To think that Bowie himself did this speaks to his sense of humor. And it somehow turns the lyric “little fat man” into a catchy tune.