Author: renwinn

2018 Emmy Nominations – Gut Reactions

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-Yay for The Americans + Keri Russell + Mathew Rhys! If Keri doesn’t win for this train scene then I will have lost all hope in the system.

-Happy to see GLOW in Best Comedy Series, and Betty Gilpin get a nomination — but no love for Alison Brie or Marc Maron? Zoya better have some destroyin’ to do next year.

-Go, Sandra Oh, go!

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-Love that Larry David will spar against Ted Danson in the Lead Actor Comedy category.

-WTF. How does This Is Us get a Best Drama Series nomination over Killing Eve?

-I like things about Barry, but wanted to like it more. But yes, give all the noms to Henry Winkler.

-Will Kenan Thompson retire from SNL now that he has an acting nomination?

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-Pamela Adlon in Better Things — please give this woman an Emmy for this show!

-Can Sandra Oh and Keri Russell both win in a tie? This is the only way I see this ending well.

-How is Fuller House getting nominated? This is rigged!

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-Shaking my head at no Survivor nominations, not even for the great host, Jeff Probst. He’s still killing it out there.

-Go, Jesse Plemons, go!

-So, should I be watching The Crown then?

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-Happy to see Atlanta getting lots of deserved love.

-Tony Shalboub is back to his usual bullshit…of getting lots of Emmy nominations! (I’ve heard he’s very good, I mean no disrespect to Mr. Monk.)

-So many Handmaids, not enough Emmys.

-I love that Patton Oswalt’s tragicomic special Annihilation got some love.

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-Cinematography for Blue Planet II, baby! Because how beautiful is that?

-Anthony Bourdain gets a posthumous nod. (*Cries to self.*)

-Y’all, Ricky Martin is now an Emmy nominee.

-This: anemmyformegan.com.

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-LOL at American Vandal being an Emmy-nominated show for writing — but I mean that LOL earnestly. #whodrewthedicks

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Ladies in the Louvre

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I will not tire of this sequence from The Carters’ new video, APES**T video. Layers to unfold here, but I love that the they’re holding hands, almost as if provoking the subjects in the canvas behind them to the fiercest game of Red Rover ever imagined. I don’t think they’d break through.

“Solo” Soars

And now a spoiler-y, rapid-fire response to Solo: A Star Wars Story…

Initial thoughts straight out of the theater:

  • That was fun!
  • Alden Ehrenreich was great and exceeded my expectations in what is essentially an impossible ask and a thankless position to be in.
  • Beautifully shot and thoroughly impressed by the cinematography (kudos, Bradford Young!).
  • Loved Chewbacca’s entrance and the Wookiee appearances.
  • Hard not to like Woody Harrelson in this (or in anything, really).
  • Wish there was more of Thandie Newton, what a shame to not get more of the Val character.
  • L3 (aka Phoebe Waller-Bridge) is a scene-stealer.
  • Pleased with the message of the droid liberation.
  • Donald Glover is clearly having a blast here (and he made me have a blast too).
  • Not sure I was completely jiving with Paul Bettany’s character, Drydon Vos, as it felt a bit too cliché and I was not about that silky blouse he had on.
  • Speaking of silky things, I did enjoy Lando’s wardrobe and loved how well Emilia Clarke’s Qi’ra pulled off a wide-leg pant.
  • No thank you to that tentacle monster—we did not need this.
  • I totally dug the Darth Maul surprise, even though it also didn’t make any sense to me in the moment (this being from a Star Wars fan who pretty much only sticks to the movies and doesn’t venture too far into the other shows, books, or comics…so yeah, to me Darth Maul has been dead. You could say his onscreen death is a particularly bad case of being cut in half.)

More thoughts upon further reflection:

  • Did we really need this movie? Only time will tell to see how some of the peripheral developments play out in other movies, but again, did we need to see Han’s origins? Did this serve some bigger purpose other than an entertaining romp?
  • Really liked the moments where we see more of what day-to-day life is like for those in this galaxy and the struggles they face, which is something I think the newer Star Wars films since have done well. For example, seeing the lines at what looked like an immigration/border patrol station and knowing that Han has to enlist in the Imperial Navy to escape gives much more depth to the realities of life in this world.
  • Some have thought it’s too unbelievable that Han would be so romantic and idealist because of his love for Qi’ra, but seeing how that plays out and how he gets burned…maybe this very thing is what blackens his heart a bit and really makes him trust no one (except Chewie, of course).
  • Qi’ra represents an interesting story within this galaxy and one that seemed more worth telling in this film, but perhaps that means we’ll see her again soon.
  • And of course the burning What If of this entire film is wondering what a Phil Lord and Christopher Miller version would have truly looked like, as there were certainly elements of mild goofiness woven in that I could only expect would have been much goofier and included more plays for laughs throughout.
  • Even with what felt like some forced and overtly saccharine set pieces on heroism and rebellion, which I could only assume was more direction from Disney and/or Ron Howard, ultimately I was satisfied and thoroughly entertained by the fun heist film this turned out to be.

And I’ll leave you with this:

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Star Wars Coincides with Style and an Important Statement

Can we stop for a moment and discuss Thandie Newton’s Star Wars dress from the Solo premiere at the Cannes Film Festival?

At first glance the photographs aren’t super clear, but the word going around is that she wore a custom Vivienne Westwood gown made of a custom print featuring Star Wars figurines.

Many questions arise. Obviously she’s in the new film, but is she also a big Star Wars fan? And if that is in fact common knowledge, does that mean I may not be as big of a fan as I think I am?

Taking a closer look, you can tell that all of the photographed figurines featured on her dress are of black male characters that we’ve seen in the galaxy (from Finn to Mace Windu). Although this may not have been intentional, it’s a nice callback to the SNL sketch from the Donald Glover –hosted episode just a few weeks ago. But that aside, she’s clearly making a statement here as she is now the first black woman to be featured in a leading role in a Star Wars film. Get it, Thandie.

The sparseness in the design of the figurines is a reminder that there’s still more work to be done with representation in this franchise (although I’d like to think that Star Wars has often been ahead of the curve).

Another article claims the figurines featured on her dress are from her personal (!) collection—so if this is indeed true, when did she start collecting and how many does she own? Or do you think she may have just started collecting once she was cast in Solo?

Either way, it is a stunning dress with layered meanings and it just may be the most badass thing anyone has ever done.

‘Wild Wild Country’ Is Truly Wild

Netflix’s new documentary series, Wild Wild Country, explores a wild era in the 1980s when an Indian guru named Bhagwan Shree Rajneesh asks his inner circle of followers to create a new community in rural Oregon. What happens next is unprecedented and unpredictable, as the followers of Rajneesh (called Rajneeshees) buy land and start building their perceived utopia next to a retirement town of only dozens of mostly older, socially conservative Oregonians. But perhaps the most surprising part of all for me was that I had never heard any of this before—and I’m guessing I’m not alone. After finishing the six hour-plus episodes, I have some thoughts on both craft and content. Minor spoilers ahead.

Topics of intrigue:

Contradictions galore. I’m fascinated by the contradictory nature of the Rajneesh movement, which was about free love and finding spiritual nirvana, among other things. Yet, Bhagwan and his followers encourage commerce and therefore materialism, are willing to physically harm non-followers and intimidate them with weapons, and even criticize many aspects of the U.S. government while also using and finding loopholes for political gain and to commit marriage fraud (!). And that’s only some of it. Color me shocked.

This guy. A man after my own heart for going through the town’s trash in hopes of discovering cult secrets. I’m all in.

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My personal hero  (Netflix

Outdated media terms. Flabbergasted by the fact that the media seemed to have an official term for people living in poverty in the 80s and that term was “street people.” Seriously. Every time I heard it used I shuddered in embarrassment. That makes it sound, you know, as if the people chose to live on the street.

What defines a cult? Several Rajneeshees ask this question, wondering why the locals and media were so quick to label them as a cult. They bring up a good point of asking why some religions like Catholicism and the Mormon Church aren’t considered cults. Something to leave us thinking about.

Pain points:

The unreadable font. Come on, producers! Yes, Jay and Mark Duplass, I’m talking to you two. Viewers have to be able to read your font! I’m fine with this font choice for the main title card of ‘Wild Wild Country,’ but using this hard-to-read script font for people’s names and names of towns just doesn’t work in the short time you have text on screen. This is especially tricky when so many people are using their Rajneeshee name, and thus names that are unfamiliar to many viewers and harder to guess.

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Wait, who is this?  (Netflix)

Whodunit? There’s a turning point between the locals in Oregon and the Rajneeshees that escalates matters—a bomb goes off in a Portland hotel that the Rajneeshees have bought and operate. The documentary goes on making us think that perhaps a local had set it off (luckily no one was seriously injured), but it doesn’t confirm either way who had done it. From internet confirmation, I now know that it was carried out by an Islamic terrorist group instead. I suppose that wasn’t convenient for the narrative of the Rajneeshees’ point of view in this fight or for the documentary. Oh well.

What’s your name, again? For the uninitiated, all the different names and terms for Bhagwan and his followers are confusing. Is it Bhagwan, Rajneesh, or Osho? People in present day refer to him as Osho from the start of the documentary, but it isn’t until toward the end of his life does he ask his followers to call him Osho. Others have Rajneeshee names in front of their given name, like Ma Anand and Ma Shanti. Still waiting for them to tell us what that means.

Give me more background. I wish the series delved into more of the actual teachings of Bhagwan. It jumps too quickly into the story of what happens in Oregon before having a better grasp of what was really driving the Rajneeshees to be so enamored with him in the first place and then be prepared to plan malicious acts in his name.

All in all, Wild Wild Country is so wild you have to say it twice.

Take It From Me: You Don’t Have to Be Religious to Appreciate Jesus Christ Superstar

I’ll admit, I’m not a religious person so sometimes just hearing the words “Jesus Christ Superstar” together isn’t necessarily going to grab my attention in a positive way. However, I am a person peripherally aware of a lot of culturally relevant works of art, so hearing those words in that order is something different altogether. Even though I’ve never seen the play or original film, created by Andrew Lloyd Webber and Tim Rice, I’ve definitely heard the “Superstar” song because it’s one of the greats (or so I’ve been told) among musical numbers, and I was also really into Cats as a child. Therefore, I listened to a lot of Andrew Lloyd Webber compilation CDs in the 90s and you can’t forget those goose bump-inducing chords and chants at the beginning of that song. Yet, as a church-going but skeptical child (and an even more skeptical and non-church-going adult), I didn’t fully delve into this musical because I assumed it would be preachy, and even at a young age I was not about being preached to.

Obviously, I was wrong. The rock opera isn’t so much about “religion” or “Jesus” but about a story of people, relationships, points of view, choices, consequences, guilt, and acceptance. You know, a story about life. But even if you’re not interested in the morals of it all, you can still come for the fantastical musical set pieces and softly sung, yet deeply human melodies. My curiosity for turning on NBC’s live rendition of Jesus Christ Superstar really fell into the latter category—and I wasn’t disappointed. Granted, I had it on more for the sake of checking in to see how this live production stacked up against the others (perhaps only Grease and Hairspray beat it for me) and of course the fear of missing out on Chrissy Teigen’s live tweets (what I’m officially deeming FOMOOCTLT…rolls off the tongue, doesn’t it?).

From a newcomer’s perspective, the show was energetic, heartfelt, and had Alice Cooper in it. What’s not to like?! All kidding aside, I actually came away from it with much more appreciation for the show, its cast (talking about you, Brandon Victor Dixon!), and the fact that it’s great to see live musicals on television in this age. But the most important moral lesson for me, because I suppose it doesn’t hurt to have some sort of moral takeaway on Easter Sunday, was that I shouldn’t have ever judged this show by its name alone. So, I’m glad that a modern production of a 70s musical starring John Legend wearing an extremely deep-v shirt helped me realize that you have to give everything a real chance before you can judge it. Plus, Chrissy Teigen’s tweets were pretty entertaining, too.

Power in Silence

I cannot remember a time in recent memory when silence was so powerful. And this was silence on live television. When Emma González took the podium at the Washington, D.C. rally for #MarchForOurLives as the last speaker (following so many wonderful young activists), she did more than just tell her story—she made us all FEEL her story, her pain, her anger, her frustration, and her resilience. It showed us too how we can feel so uncomfortable amidst silence, and how that silence, which was to show how long the gun attack at Stoneman Douglas High School took from start to finish, forces us to address the situation head on. It made us feel the repercussions of how this young woman, and countless others, will forever be affected by this experience. After all, how else will there be some way…any way…to make change moving forward? If you missed it, it’s most certainly worth your six minutes and 20 seconds. You can also always donate to the cause, here: https://marchforourlives.com/